Pearl Jam’s 1991 debut, “Ten,” really isn’t a concept album or a rock opera in the mold of singer Eddie Vedder’s rite-of-passage record, The Who’s “Quadrophenia.” But it’s got a theme all the same in that many of the songs are about outcasts who have had decisions made for them, who have been given little or no voice in their destiny. The final song, “Release,” amounts to a slow-burn prayer for deliverance.